| In Merriam-Webster’s On-line Dictionary, sound | | | | movie’s realism. |
| effects are defined as “effects that are imitative | | | | Background Effects – These sound effects, also |
| of sounds called for in a script of a dramatic | | | | called ambiences, lend reality to a movie by giving it a |
| production (as a radio show) and that enhance the | | | | sense of location. For example, if you were to watch |
| production’s illusion of reality.” This definition | | | | a movie with a scene of two people talking on a |
| first appeared in Webster’s New International | | | | busy New York City street, you would hear the |
| Dictionary issued in 1909. | | | | honking of horns and the sound of traffic in the |
| In the 21st Century, sound effects have evolved | | | | background. It should be noted that background |
| considerably and are used in numerous industries and | | | | effects (BG) are not directly correlated with a |
| applications. Just a few of these include film, radio, | | | | specific onscreen action. Even though car horns were |
| video games, television, multimedia, and cell phones. | | | | heard in the background in the example above, if one |
| Sound Effects in the Film Industry | | | | of the individuals conversing on the city street were |
| When reviewing sound effects specifically within the | | | | to get in his car and honk the horn (a sound occurs |
| movie industry, there are five main categories. These | | | | due to a specific onscreen action), this would be |
| categories include: | | | | considered a hard effect not a BG. |
| Hard Effects – Of the five primary types of | | | | Electronic Sound Effects – If you’ve ever |
| sound effects in filmmaking, hard effects are the | | | | watched a 1960’s sci-fi movie, you probably |
| most typical. These are distinctive sounds such as a | | | | heard an example of an electronic sound effect. |
| car horn, a gunshot, or the slamming of a car door. | | | | These effects were initially created with synthesizers |
| With hard effects, there is usually a fixed sound | | | | and keyboards. Today, with the creation of DAW |
| connected with the picture; for example, a trigger is | | | | (Digital Audio Workstation) plug-ins, electronic sound |
| pulled and the sound of a gunshot is heard. In such | | | | effects are also created from filtered or processed |
| instances, intricate synchronizing of sound to | | | | organic sounds. These effects are often used as |
| performance – as is necessary with footsteps | | | | production elements for movie trailer sound beds and |
| for instance – is usually not required to evoke | | | | title elements on commercials and television shows. |
| realism. | | | | Design Sound Effects – There may be a sound |
| Foley Sound Effects – These sound effects are | | | | or sounds needed in a film to assist in building |
| recorded live by Foley artists and added | | | | suspense or creating a sense of reality that would be |
| postproduction to a movie to enhance both its audio | | | | impossible to record naturally (such as the delicate |
| quality and believability. Foley is the process of | | | | metallic sound of a pin hitting a tiled floor). In such |
| synchronizing sounds with on-screen action. Of all the | | | | instances, the services of a sound designer – |
| different Foley sound effects, footsteps are the | | | | that typically uses a Digital Audio Workstation – |
| most common and well known. However, a Foley | | | | would be required to create the desired sound(s). |
| artist’s craft goes well beyond synchronizing the | | | | Each of these sound effects is essential to bring a |
| sound of footsteps to its action on screen. When | | | | movie to life. From the skilled work of the Foley |
| you hear the realistic whooshes, whacks, and whirls | | | | artist synchronizing each sound with an action |
| of a fight scene or the clinking and clanking of | | | | portrayed on screen to the background effects |
| silverware and dishes in a dinner sequence, you can | | | | lending atmosphere to each scene, when executed |
| be certain that a Foley artist worked behind the | | | | properly, sound effects serve to heighten the |
| scenes adding these sound elements to heighten the | | | | moviegoer’s cinematic experience. |